When Eric sees that his final possession has been stolen, he wrenches the truck from where it was stuck and pursues.Eric gains a potent ally in his quest to retrieve his car when he crosses paths with Rey (Robert Pattinson), Henry’s brother. They express so much with very little dialogue, and. The score is so interesting and unusual, perfect! If that's not enough, the cinematography is amazing, the scenery of the Outback breathtaking and the soundtrack is just perfect. Those going into this film expecting a copy of Mad Max may be disappointed, but those viewers that want an engrossing character study including wonderful performances, amazing cinematography. Want an ad-free experience?Subscribe to Independent Premium. Both of those things are true to the fullest extent one could hope for, but there is much more to it than. It captivates you with the bleak vastness of the landscape, and sets the tone for the movie. (15) David Michôd, 103 mins Starring: Guy Pearce, Robert Pattinson. Are you sure you want to mark this comment as inappropriate? The most insightful comments on all subjects will be published daily in dedicated articles. No spoon-feeding here, just plenty to draw from and to think about for yourself. It doesn’t let up because it shouldn't let up.In an interesting screenwriting decision, the two major events that really drive the action of "The Rover" take place before the credits; a nod to the fact that this is a story about the aftermath of "the collapse" and not the collapse itself. And Pearce and Pattinson rise to the challenge, the former finding the soul of a man who can barely remember happiness—it’s the moments in which Eric starts to trust Rey that seem to startle him more than pain or violence—and the latter conveying the desperation of a man who may not know a lot but knows he can’t make it on his own. Neither of the characters are especially sympathetic but Pearce and Pattinson make an intriguing double act. When three men steal his car, he chases after them with a "halfwit," interestingly played by Robert Pattison. Its setting is the lawless outback, 10 years after "the collapse". Watch all of this week's new film trailers, including new looks at Blade... Film Friday (3/31): This Week's New Movie Trailers. Ably aided by the jarring chords designed by composer Antony Partos (not unlike the unsettling work by Jonny Greenwood on "There Will Be Blood") and cinematography by Natasha Braier that always places our characters in the context of a bleak landscape, Michôd finds a tonal consistency in "The Rover" that makes its repetition forgivable, and even effective. Please enter your birth date to watch this video: You are not allowed to view this material at this time. But the movie itself is not bleak. Brian Tallerico is the Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. As with all establishments in "The Rover," the few occupants are armed. Intense but mesmerizing, bleak yet beautiful. If his brother left him behind, he might as well partner with the man tracking him down.It’s the images of "The Rover" that linger—a truck flipping by a window, a man collapsing under the interrogation of another, a gun sale that ends in violence, the climax. for language and some bloody violence. Director David Michôd has crafted it with an assured hand that makes it compelling, even with the tedious pacing and minimal explanations. The latter is highly strung and simple-minded. Guy Pearce and Robert Pattinson star in a brain frazzling post-apocalyptic outback tale of freaks and ferals The motivations of the characters aren't always easy to work out. The Rover is less an allegory than a suggestion how bad things could become. Forcing Rey to help track the gang, Eric will go to any lengths to. If you have not seen The Rover then stop reading this review and go watch The Rover. The director David Michôd, best known for Animal Kingdom, heightens both the absurdism and the nihilistic violence. The Rover does not make these concessions, but if you’re really watching, then, in spite of the seeming senselessness, you will feel what Eric feels, and it will feel like what it would feel like to live after the end of the world: having had something beautiful that you did not understand destroyed in front of your eyes and knowing that nothing will ever bring it back. The Rover is the perfect, but not necessarily expected, follow-up to David Michôd's Animal Kingdom. The Rover is the work of Aussie writer-director David Michôd, whose 2010 debut feature, Animal Kingdom, is rea… The Rover review – an Australian road movie that runs out of road. Like its tattered setting, The Rover is scattered with intriguing ideas never successfully fleshed out. It's well made, and it's disturbing, if not overly passion inducing. Our editors select the most promising films headed to theaters in... Our editors select the most intriguing films headed to theaters in... Film Friday (5/12): This Week's New Movie Trailers. The existing Open Comments threads will continue to exist for those who do not subscribe to Independent Premium. Michôd’s film consciously plays like an outback western, peppered with jagged and unpredictable outbursts of hard brutality. This is definitely a film that will stick with you for days. Our journalists will try to respond by joining the threads when they can to create a true meeting of independent Premium. The cinematography in The Rover is almost the third character in this film. Michôd wisely doesn’t spend too much time defining the terms of his post-apocalyptic vision, allowing his characters and their needs to define it for him. When the big “reveal” happens some people will groan and others will relive every moment of the film and appreciate them anew, not in the way of a Twilight Zone or Shyamalan twist, but in the way of dismantling a bit of analogue technology and seeing the beauty and simplicity of elegant design—even the name is balanced within the microcosm of the film’s (non)mystery—but the greatest part of it is that the characters show you everything about themselves from their earliest moments and with that comes a kind of perfection within the reality they portray that is rarely represented in film and heretofore missing from the post-apocalyptic subgenre. © 2020 CBS Interactive Inc. All rights reserved. Tweet. And that he would be crushed himself by being left behind by the one thing he had left in the world.While Eric and Rey may not seem likely travelling companions, they are two men whose final possessions in a world of increasing desperation have been stolen. Reviews The Rover Brian Tallerico June 13, 2014. Memory House by Brazilian Director Joao Paulo Miranda Maria Wins the Roger Ebert Award at the 56th Chicago International Film Festival, High Powered: Aaron Moorhead and Justin Benson on Synchronic, Highlights from Ebert Symposium on Future of Movie Industry, Ebert Symposium 2020: Part 2 Streaming Today, October 22nd, 2020. It's not Mad Max, but this film does take place in Austrailia a decade after a global collapse. Given the bleakness of the settings here, there isn't much possibility for redemption for anyone. The Legend of Heroes: Trails of Cold Steel IV, Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan. The performances are remarkable, superb, award winning in my opinion. With Guy Pearce, Robert Pattinson, Scoot McNairy, David Field. In a future with little hope, some still finds a way to shine through in the most unlikely pair of Eric and Rey. It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more. Forcing Rey to help track the gang, Eric will go to any lengths to take back the one thing that still matters to him. The post apocalyptic atmosphere is far from Mad Max or The road but the creepy score does the needly for save the 103 minutes. Guy Pearce plays a dour, dirty traveler of few words and violent action. Those going into this film expecting a copy of Mad Max may be disappointed, but those viewers that want an engrossing character study including wonderful performances, amazing cinematography The Rover is the perfect, but not necessarily expected, follow-up to David Michôd's … You can find our Community Guidelines in full here. The Rover. It makes it tough. You become invested in Rey & Eric and can't help but be drawn into the dynamic of their relationship. They express so much with very little dialogue, and they are completely captivating in doing so. For Eric, it was his car. Most of all, it’s an image of two unlikely travelers walking down dusty roads, looking for any sort of societal structure, old-fashioned hope, or even just a night’s sleep that isn’t ended by a threat, but knowing with every step not just how much was lost in the collapse but that they still have to go on. Snap out of it. Unrecognizable Pierce and Pattinson as two men in a road to nowhere. 10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Independent Premium Comments can be posted by members of our membership scheme, Independent Premium. For most post-apocalyptic films, the nightmare is really a disguised fantasy. For Rey, it was his brother’s love. Since they have clearly come from something violent and dangerous (Henry has been shot), they need to move quickly. I walked into this movie with the background that it was post-apocalyptic and had good performances. Eric makes fleeting reference to traumatic events in his private life. The Rover review – Ozbilly shaggy dog story loses its way 3 / 5 stars 3 out of 5 stars. When three men steal his car, he chases after them with a "halfwit," interestingly played by Robert Pattison. Notable Video Game Releases: New and Upcoming, What to Watch Now on HBO Max and the HBO App. Watch all of this week's new film trailers, including new looks at... Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by.

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