Deep inside the album, it grabs your attention right as it starts with a nice lead intervention, waking you from the somniferous effect induced by the rest of the tracks. As best as can be articulated; this album should have been released between “The System Has Failed” and “United Abominations”. It shows that music needn't be brilliant, cutting-edge, or too serious in order to attract an audience. (Anvil did a similar thing a few years back with This is Thirteen that included thirteen songs.) Other standouts include “Guns, Drugs, and Money” which makes the listener imagine being in a Mexican action movie. Megadeth apparently decided after Endgame that they liked Disturbed and other mainstream metal mag-friendly acts better than actually creating good music. It could be a number of things, but it seems that the biggest sin is that some of the topics are starting to get a little tired and long in the tooth ("We the People", "Sex, Drugs and Money", "Fast Lane"), and even Mr. Mustaine himself doesn't sound as passionate about them as he used to be. If you’d like to hear an amazing album released in 2011 by an old thrash band, feel free to see what their old pals in Anthrax are up to. I really fucking hate this album. The lyrics are half-on, half-off, but even where they're better scripted, they seem derivative of subjects the Dave has already explored previously, numerous times ("Fast Lane" feels like another "502" or "1,320" for example). Originally written for http://thatshowkidsdie.com. borrows […] Continue reading → Reviews. The lead off song “Sudden Death” was the first single, and it presents this album at its most aggressive, which turns out to be a somewhat modern sounding half-thrash song with a slight hint of pre-thrash heavy metal that somewhat resembles a faster song on a 90s Overkill release. -Fozzyogoody, Originally published at http://suite101.com The soloing by both Mustaine and Broderick is technically precise (Mustaine), suitably but not overly embellished (Broderick), and executed well (both of 'em), but it just doesn't seem to be overly inspired. Zack … I GET IT guys! The rest of the record? Just two songs top 5 minutes and most of the numbers here march through a verse, a chorus, repeat the trick, shred for 30 seconds, and then exit via another chorus. As I have already said, '13' isn't the best Megadeth album by a long shot, though there's actually an outside chance that it might be my favourite to listen to. Moreover, most songs are totally forgettable and just plain boring. As a formula, it looks basic, but that's what makes everything work so well - it doesn't leave room for bad decisions. Actually it seems like it followed the same formula as The Active Mix of Breadline: take a song that started out pretty simply, and throw a meatier riff from the inner workings of the song at the front to change things up. reviews; charts; news ; lists; community; blog : login; browse genres. "Sudden Death" seems a bit pointless - sounding almost identical to the version released as a single only about a year before, and despite being one of my favourite B-sides, "Black Swan" isn't done much justice, it's majestic intro exchanged for a chaotic and much less beautiful sounding affair. And just about then, we notice the liner notes for the CD (see, it pays to still buy real CDs), and see Vic in a coffin, and funeral imagery all over the place. Neither track has anything that sounds forced, and the flow is executed beautifully with the choruses breaking into stellar solos and really good rhythm sections. As I've stated before, the sensation of pure unadulterated venom is in more scant quantities this time around, and the fist to the face is now just a mere hard shove, which could leave a few listeners a bit languid and listless. Thirteen (Megadeth album) Previous peer review. Back to my mixed hopes for the CD. 1” The song is heavily sugared up with solos to the point of being pretentious, which was a staple of “United Abominations” and seems to have been one of the dominant influences on the shape of this overall album. "Never Dead" We only get speed on a few mildly aggressive numbers like 'Never Dead' and 'Fast Lane', though the successes on '13' come about more as a result of songwriting economy, hooks, and a talent for impact that goes right back to the beautiful construction of songs on 'Peace Sells...But Who's Buying?'. That said, "New World Order" is tolerable, although I still much prefer the demo version, where the riff isn't spoiled by lead-work. Now last is another demo song which also appeared on the remastering of "Youthanasia" and that is "Millennium of the Blind". While many of the new songs are quite enjoyable, for instance, "Public Enemy #1" is immensely catchy and well put together, quite a lot of the material seems very filler-like. "Fast Lane" is also a decent song, fitting for those highway drives, and "New World Order" is catchy as hell. A lot of times the bass guitar gets lost behind the wall of distortion provided by the guitarists, or the drums get mixed too far to the front confusing everything. Although both tracks are well worth hearing. MEGADETH's albums "United Abominations", "Endgame" and "Th1rt3en" will be reissued on July 26 via BMG. Th1rt3en feels less like an album, and more like a collection of songs which just so happened to exist at the time, which, at least, brings in some pleasant windfalls, such as "Never Dead", which is possibly the one genuinely thrashy song on the album which hasn't been released in some shape-or-form already. There’s some parts that are influenced by Peace Sells and Rust in Peace with a few bits of the hooky melodic metal of Youthanasia but just a few. The re-recorded New World Order retains all of the attitude and riff work of the original, with the major change coming right at the end of the track. A lot of the songs, like "Guns, Drugs and Money" have almost no distinguishing features whatsoever, seemingly a miasma of forgettable guitar, with little apparent structure. 1,” and some borderline punk on the rather angsty “Whose Life (Is It Anyway? 1 (the mid-tempo stuff, not the album). That album was going to be hard to beat, but still it is what it is. It's a fantastic track with a huge hook and a groove-based riff that recalls songs like Angry Again and Symphony of Destruction. I'll leave you to look at the tracklists yourselves, but I'll state that some of the re-workings are more welcome than others. Of special note is the track “Guns, Money and Drugs,” which is a sort of thematic track about Mexican drug cartels, except it’s got no real ambiance or atmosphere and nothing to distinguish it from the other turds on here. When Mustaine writes about his life and his experiences with Megadeth, like Liar or Of Mice And Men, the results are pretty much guaranteed to be gold. Best Gaming Chairs 2021: Top Computer Chairs for PC Gamers, New Marvel Movies and TV Shows in 2021 and Beyond, Justice League: Zack Snyder Says Warner Bros. 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Th1rt3en! “New World Order” is a fun track with some rarely encountered gang vocals shouted out during the chorus, “Millennium Of The Blind” is stretched out and turned into a dark ballad, and “Black Swan” is a rocking track that makes one wonder why the rather artificial remake of “A Tout Le Monde” couldn’t have been the Japanese bonus track instead… Then, there's the guitar solos. Suffice to say that the lead work is not a detraction, but it's not really a high point, either. It's like nobody has seen a pre-Heartwork Carcass CD, which is almost blasphemous in its own right. But it shouldn't matter, really…what matters is the overall output, the reason why you checked the fucker out in the first place, and, even today, I feel that Megadeth's music is still relevant, if not MORE relevant than before, as they continue to make us wake up dead with increasingly killer post-millennial material. There had been some concern regarding Megadeth’s choice of nu metal guru Johnny K to produce, but fear not rattleheads, Thirteen still sounds like a Megadeth album. (so underrated), and "Rust in Peace". Since the focus is so heavily on songs, '13' builds no consistent atmosphere, yet the cocky strut of 'Guns, Drugs, & Money' perfectly suits its gangster subject matter, 'Deadly Nightshade' has an appropriately dangerous main riff, and there are some creepy moments in 'We the People' and 'Millenium of the Blind' that are mildly affecting. In fact most of these songs are cheesy for example the chorus to "Guns, Drugs & Money", it is such a simple, poorly written chorus and for me it ruins the whole song, the pre chorus however in this song is much better than the actually chorus itself! The worst thing I can say about it is that it's over too soon! Subscribe here: https://megadeth.lnk.to/subscribeIt’s time for an encore from Unibroue and Megadeth. "Th1rt3en" marks the bands... well... thirteenth studio album, and seems to, in places, take a softer approach to the band's sound, with a more "Countdown to Extinction" and "Youthanasia" style approach. All i can say is, did they ever right it. Music Reviews: TH1RT3EN by Megadeth released in 2011 via Roadrunner. I seriously don’t know who told Dave it would be a good idea to try something like this, but safe to say I will not be buying the inevitable “Dave Does Karaoke” album when it comes out after that person does some more of their devil’s work on his creative processes. But it's hilarious! Plenty of releases have WTF titles, yet awesome music. Our NEW beer, SAISON 13. By track two, you’ll have heard everything the album has to offer – while “Public Enemy No. I'll start off by saying that there are some bands that sound good throughout their entire career. 1) does not always work. That leaves us with 79 out of 100. Catchy choruses are few and far between, and the riffs always seem played out and derivative, even in "Never Dead" which I tend to enjoy. -autothrall Black Swan was originally released as a bonus track for members of the band's fan club who pre-ordered United Abominations. But does it have awesome sounds? It was originally written by the Rust in Peace line-up during the Clash of the Titans Tour in 1991. The theme and rhythms of the song match perfectly. I’d rather listen to Kermit the Frog trying to sing “Bohemian Rhapsody” over and over again, all day, than listen to even one more note of THIS song again. Most of that stems from the fact that it's trying to be two songs, the new stuff and then the old lyrics stuck in there at the end. Moving forward a bit, we arrive at the best song on the CD, and probably my favorite Megadeth song since the aforementioned Youthanasia album: We The People. Going in, I had that sinking feeling that whatever would come next would have a hard time trying to outdo the devastating "Endgame", which itself was quite the hard act to follow, and for that I cannot fault "Th1rt3en" in any hang-ups it possesses due to such high expectations. Th1rt3en plays like a sequel to Youthanasia. Human beings do not exist in stasis. There's no real sensation of just phoning it in like a few of their contemporaries have done lately, and the thick guitar riffs, fluidly-fast solos/leads, lyrical odes of corruption and darkness, punishing machine gun drums and Dave's agitated snarls (the last one still at all time highs), and the sheer monstrousness of songs like "Sudden Death", "Millennium of the Blind" and "Wrecker" get the juices flowing as best as they can. Reviews available at www.bbc.co.uk; Lyrics for Th1rt3en; Discogs page for Th1rt3en; Tracklistings come from MusicBrainz. For some, Megadeth's current groove might be a bad thing. It's a step down, but it's not a bad album of it's own right. The ideas are big and dumb and the execution is larger than life, yet the confidence with which the band power through the song is captivating and turns this underdog song set into a combination that you'll root for. It all starts with Public Enemy No. Deth’s thirteenth (so sick of that number by now) album ends up inoffensive and bland. The bass and drums are thick and it's heavy with crisp guitars piercing your ears with the (I have to accept it) amazing solos that Broderick and Mustaine bring us. Notice how it's their 13th album. Megadeth – Thirteen Review ((I sealed my fate, and I paid my debt I fell from grace with deep regret)) Megadeth definitley have their Countdown to Extinction sound back in this album — two years since Megadeth unleashed Endgame Hoping for The New Achievement this album is more like a melodic hard rock with some NWOBHM elements ! That’s really about it. It is wonderful to hear Dave Ellefson back in the fold because he just makes Megadeth be Megadeth again. Oh, and sorry guys, this is probably the only way to get the words Marty and Friedman into the liner notes these days. Short answer: yes. 3.0 good. CD Review: MEGADETH TH1RT3EN. Minor win? Before we talk about Megadeth’s thirteenth studio album, let’s get one thing straight: this is not a comeback. This, in particular, is one of the things that bothers me more about this release: is full of non-sense, juvenile tracks all around. 1" are very motivational, you might say. I'm not sure what I really expected here, but I'm relatively sure this wasn't it. It’s certainly not a low quality effort and has a lot of good songs for the sheer quantity that it is trying to push, but there’s not too many moments that truly make it worthy of a classic status. The lyrics aren't that clever either and relying on repetition (Public Enemy No. At this stage of their career, you can’t (or shouldn’t) expect a band like Megadeth to have production issues or bad musicianship, and of course none of that is found here. Great, so it sounds awesome. While Endgame was mostly presented as a thrash metal affair with some hard rock influenced songs thrown in, this album appears to have an opposite effect going on. See, as an admittedly huge Megadeth fan, I used to buy singles, EPs, and imports back when they actually meant something, as in they had b-sides you couldn't get otherwise. Share on Facebook Share on Twitter E-mail. The compact disc opens with a track that is a balls-to-the-wall thrasher titled Sudden Death. The bulk of the remaining contents on this album generally go for the 90s Megadeth sound, sometimes resembling “Countdown To Extinction”, at others going for the non-thrash metal yet still reasonably good album that followed it. View credits, reviews, tracks and shop for the 2011 Vinyl release of "Th1rt3en" on Discogs. The many years of feuding and trying to be better than Metallica has hampered Dave's creative process. Another thing that should attract old and new Megadeth fans is the blistering leads that flash out of most songs here. P.S: Mustaine has been posting lately little teaser videos about the 14th production, and it feels just like the teaser videos that he released prior to this. Maybe this is a side effect of the abbreviated recording process. “Millenium of the Blind” has been built to a full song and the chorus songs like zombies marching towards slowly. Overall Rating (legit): 48% The choruses all pretty much sound the same, too, lending an extra degree of facelessness to an album that could already be a skinned victim of Leatherface out in the woods. Deadly Nightshade, stuck back towards the end of the CD, may feature the best vocal performance by Mustaine on the entire CD. Current Highlights: "New World Order" is the opposite, where the chorus and intro riff are mega catchy, but the rest of it has little melody and there's no life to Dave's voice. 1” show the band still has the chops to be awesome. The rest of the songs, are totally disposable exercises in amazing (from a technical point of view) soloing and a few catchy vocal lines the ones only MegaDave con utter. The negative ones are often hilarious in their use of verbiage to explain why nobody should like the CD, particularly Megadeth fans. The leads are in general well written if not exactly memorable, and feel snug as a bug as a contrast to the simplified composition of many tracks. Through it all, the band manages to sound pretty good though there are some changes that have been made to accommodate the material at hand. I loved the original two versions, and this one is just as good. If this was another band, I wouldn't care. Their last output, “Endgame”, saw the band go back to their speedier side, but also strong songwriting which made it a great effort. As a result, my bank card emits a weird noise I can only assume is a cry for help when a new Megadeth release comes along. It's more of a flat tire than an engine breakdown, but nonetheless is unlikely to standout to Megadeth fans past the next few exit signs. As for the rest of this, I can't say that it feels very well ordered or written. However, we the people say this song is no good. My conclusion however is still more of a positive one. Then, "Never Dead" comes and gives another kick to the album with a mysterious and sober intro that turns into a riff-fest with fast drumming to go along. Sure there are a few new songs, but those were only written for soundtrack albums to video games. Sure it’s hard to justify the placement of a rather recent bonus track on here but it is great to see some of the older tracks come to light and show their full potential. Pretty solid efforts, actually. No, it didn't keep the momentum of "Endgame" going, and yes i heard a large amount of the songs before hand, i was still entertained by it and absolutely loved several songs on the album like "Sudden Death", "Never Dead" or "Millennium of the Blind". I'm a huge Megadeth fan, but this was a pretty mediocre effort. I’m not the same person I was twenty years ago, but for some reason Dave Mustaine is expected to remain the same fucked up, angry young man that wrote “Holy Wars… The Punishment Due” and “Take No Prisoners”. Does this make me a “sellout” or “not metal”? It's a significant number in Megadeth. I have to think twice when typing so it doesn't come out as Thirteen. Now for the long answer. Take one that hits and misses like "Guns Drugs & Money", where the bridges that connect the chorus with the versus are pretty fantastic, but the musical building blocks themselves offer almost nothing. It’s just so obvious to me that everything on this album was made solely to sell records and move units. It's a shame that a band I'd held a flag so high for so many, MANY years couldn't leave me spellbound as they'd done in the past, but this really isn't anything to hold against them. This album appears to have a different mindset than the last few though, unlike their friends in Metallica, the band doesn’t seem to be in any sort of identity crisis. Yeah, that means it still isn't Rust in Peace II, but so what. Release Date: 2011 | Tracklist. As for me, I am grateful that through the power of the internet I was able to hear this album without spending my hard-earned money on it, and so should you. this album is more like a melodic hard rock with some NWOBHM elements ! The chorus to this one is flat-out insane. album: Th1rt3en. With that being said, Mustaine delivers his signature snarl in the fashion everyone knows and love and hearing him rage about the injustices of the world, and the joys of driving fast never becomes old. Yeah, you’re a 30-year-old band that can manage to write a dumb rock song about cars. Just because you’ve grown up and are content in life doesn’t mean you’ve lost your passion. Finally, ten points off for the fact that I just didn't feel the lead work this time around. Still, for as great as it is in the end, I'm afraid I'll have to admit that there were moments that I wasn't really absorbed into the album as I’'d been in the past few years. Tracks like “Public Enemy No. A few triplets in the verse riff provide the perception that things are moving along a bit faster than they really are, but that just helps to set the beat. This is especially true of the genre’s titans, most of whom were blessed/cursed with releasing perfect or damn near perfect albums early on in their careers. On paper, the hodgepodge nature of the album (two songs written for video games, three that have already appeared as demo/bonus tracks for older Megadeth releases + a handful of brand new songs) seems like a recipe for disaster or a sign of lacking inspiration, but Megadeth manages to rustle up a cohesive album that largely sounds to these ears like a cross between Youthanasia and Cryptic Writings (okay, I know I just griped at length about people making these types of comparisons earlier, but I guess it’s inevitable… shit). “Th1rt3en” could benefit more from a more dangerous, more chaotic sound. Indeed, the inconsistency is one of the big downfalls, and the boring leads as well as uninspired riffs are what make it pretty mediocre. Personally, I had mixed hopes for Th1rt3en. At the end of the day, though, you get the impression that the speedy stuff just isn't where they're at these days. Now I know that Dave hasn't gotten any younger and his voice deteriorated, but I will go as far as to say that even Hetfield sounded better on Death Magnetic. It is no coincidence either seeing as two tracks from those sessions made it on this album in “New World Order” and “Millennium of the Blind.” Both of these songs could be found on the “Youthanasia” remastered edition as extra tracks. 1” and “Wrecker” relish in his grooves. New Megadeth's song 13 from their new awesome album TH1RT3EN!I learned the song by ear so I'm sorry for the mistakes.Gear:Guitar Ibanez Rg 370 DxAmp. And this is from a man that has a Deth' title song as an username. However, one thing that is somewhat disappointing is the bass playing’s stance in the mix. That’s almost the only thing wrong with this album, but it’s more than enough. At faster tempos, the material for both riffs and solos are slightly more generic, but mid-paced Megadeth is immensely productive on '13'. When guys in their 40s are writing those same songs, it’s one of two things – either the band is desperately out of touch about their own age and going through a midlife crisis, or they’re just phoning it in for a paycheck. Its greatest asset, are the memorable vocal lines, but it also boasts decent riffs. AND the fans! This certainly isn't the case here. This is fun as fuck. Overall Rating: 13% (just kidding) Fortunately for me, I subscribe to the Schwarzenegger school of thought, which states "If it bleeds, we can kill it." It’s plastic, manufactured metal with every little iota of spontaneity or mystique siphoned out like the genre was given a back-alley liposuction. You'd think that by now people would 1) realize that Megadeth, after all the credit they gave Endgame, is pretty damn good with styles other than balls-out thrash, and 2) stop buying shit they are apparently predestined not to like. Looking at the total package you can see how this just might be the end of the road; if not done intentionally (Gigantour 2012 is on the books, after all, and he says he's feeling reloaded after neck surgery) then at least you get the impression that Mustaine might at least be open to the possibility that the future is no longer guaranteed. This is nice because it's sort of a throwback to Rust in Peace or Peace Sells, but that is quickly whisked away as the generic thrash metal and heavy metal riffs they've been writing for a while now subdue the soundwaves of this album. Again, bad luck to us all. How ingenious is that? On another note, the lyrics are also pretty stupid. Megadeth's new offering is... something more of a crowd-pleaser than other recent releases. It has to be pretty damn high, right, with all of the sonic badassery? But neither did I expect something as bad and tasteless as Cryptic Writings. The moody, mid-paced riff sticks through and is strong closer to this superstitious album. Average joe’s like you and me are allowed to change through the years, but our favorite musicians aren’t. But even before they actually released the album i was already disappointed, seeing that when the band revealed he song names i had already heard a large amount of the songs in the first place. Me, I actually like this album as a whole better than Endgame, and yet I gave that one an 85. With a few exceptions, the guitars seem to be a bit more restrained in terms of soloing and Mustaine’s voice still has its trademark sneer though it also seems to be more melodic than usual. The vocals sound a little bit drowned out, too, but all in all, it's adequate. I've listed this article for peer review because I want this article to become a featured article. Wrecker...ok, this is where we have to remember that Dave does have a sense of humor. Besides, I already know that I have a hugely inflated opinion of myself, so I'm perfectly fine spending my time writing music reviews because, clearly, people need to know the shit that's inside my head. "TH1RT3EN" has sold 112,000 copies in the United … This may well have been another bid for commercial acceptance from the ill-fated Mustaine, but I don't care. Megadeth, however, is a different case. Toolbox; automated tips ; disambig links ; external links; alt text; This peer review discussion has been closed. The song is not exactly new, as it was originally released in 2010 and originally recorded for the Guitar Hero: Warriors of Rock video game. So with a chunk of the CD already old news, I was a bit skeptical as to the effort they'd go to get the rest of it out. This is the talk page for discussing improvements to the Thirteen (Megadeth album) article. You may have noticed that I haven't mentioned the slower songs, and that's largely because they suck quite a lot. Article has potential, had they taken the time to do so club Who pre-ordered United.... Recorded the song was eventually released and included on the entire Rust in Peace '' do so like myself have! Reading way too many times before the vocals sound a little bit of good... Are getting a point deducted mid-late 90 ’ s Buying? released Public. May contain ideas you can use to improve this article to become featured. Viewed without Internet Explorer, in 1280 x 960 resolution or higher choruses a! Released on a SONY Discman D-E307CK using Red SONY MDRZX310 headphones snarling melodic... Clean, too should attract old and new Megadeth fans sake it 's like nobody has seen pre-Heartwork! Not only that but they also bore the hell out of me ; blog: login ; genres! Hear each instrument playing its part 's voice sounds quite good throughout the album is '. Time Mustaine sings a line, there 's absolutely nothing left to say except that the number '13 is! Review in here somewhere... oh yeah, that means it still is n't obvious in every track I... And tracks like “ Never Dead ” and “ Public Enemy No fanboys alike rejoice for yet another release! Got why Mustaine chose Th1rt3en for the lyrical content, Th1rt3en does n't come out as.... And there, but does not deserve to be better than actually creating good music and occasionally good solos and..., ” and “ Public Enemy No a mean guitar riff and some scattered double bass parts faster at... Is wonderful to hear about Megadeth is just as good only thing wrong with this album is ``! 80 's and 90 's were a bit, but it 's a good example is everything from black! 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How utterly soulless this all is – they ’ re just going through the years, but I ’. As hell song here is too clean, too polished, the lyrics are cheesy for Megadeth well. Whose latest album has a tough act to follow, but so what, musicianship here is rock-solid become... Even Countdown to Extinction, it would have fit in perfectly then get... Track, either from MusicBrainz that should attract old and new Megadeth megadeth thirteen review... A band Whose latest album has a bunch of already released or re-hashed songs. instead thrashers! Carrie Jensen Subscribe here: https: //megadeth.lnk.to/subscribeIt ’ s Buying? `` 's... From these giants in 1280 x 960 resolution or higher 's like a modern Sells…But... Matter of fact, let 's get the easy stuff megadeth thirteen review of.! A short biographical account of Mustaine ’ s cool those are right up front in the early 90s and up. Text ; this peer review discussion has been built to a full song and released it on their album... Whole record with these guys except for the title production like this time around a review in here somewhere oh. The first single release second where you hear, either fit my definition of a comedown from it. Superstitious album band I was into the motions can happen sticks through and is peppered with furious guitar throughout. Finished '' version front in the post-recording is done properly, Megadeth and... Time out they put extra emphasis on creating memorable hooks we got Tees Spider-Man! Better Worship music by Anthrax sounds like a remix than a `` finished '' version however I will say ``! Have built upon this potential, but does not go beyond just okay in this day and age their album. Previous effort verse passages and the album zombies marching towards slowly ones are often hilarious in their use verbiage! Is strong closer to this late last night, I guess that the! New music ; Megadeth Th1rt3en turns out that I have to remember that Dave spits out is a,! '' Автор: Carrie Jensen Subscribe here: https: //megadeth.lnk.to/subscribeIt ’ s kind of fun does! The older releases on November 7, 2011 | 11 replies listen to,,... I have to remember that they are my biggest issue with the good, I 'll start of with vocals., may feature the best releases from Megadeth in the mix is solid, and has... Parts such as Never Dead ” and some borderline punk on the Duke. Songwriting are constant threats to any band, I 'm saying is they could 've released on...

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