[8] The plot was based on a screenplay by Robert Thoeren and Michael Logan for the 1935 French film Fanfare of Love. He stood Billy up.” Wilder, who became a director to control the fates of his scripts, likely wouldn’t have reacted kindly to such an affront to his authority. You are magic! [13] Wilder's first idea for the role of Jerry was Frank Sinatra, but he never came to the audition. Once they thought they had it, Wilder all but pushed them into the ladies bathroom. And heavens to Betsy dis he deserve it! [21] Three days were scheduled for shooting the scene with Shell Jr. and Sugar at the beach, as Monroe had many complicated lines, but the scene was finished in only 20 minutes. I don’t think that anyone ever understood Marylin’s body so well…let alone Mr. Lemmon and Mr. Curtis. Orry-Kelly was sent to Sydney at age 17 to study banking, and there he developed his interest in theatre. [2], Orry-Kelly journeyed to New York City to pursue an acting career and shared an apartment in Greenwich Village with Charles Phelps (also known as Charlie Spangles) and Cary Grant, with whom, he wrote, he had an on-again, off-again relationship until the 1930s. Size: 2982.826171875KB. Finally, Wilder saw Jack Lemmon in the comedy Operation Mad Ball[15] and selected him for the part. It was George Raft's first "A" picture in a number of years.[17]. “When it was all done, and my stomach got back to normal, it seemed well worth the agony of working with her.”. “We thought about it all week. “I had no problem with Marilyn Monroe. In addition to his film work he was also a portrait artist and was permitted to undertake private commissions for gowns and ready to wear dresses.[6]. Once on the yacht, Junior explains to Sugar that psychological trauma has left him impotent and frigid, but that he would marry anyone who could change that. Taschen, 2001, S. 238. [7] When Orry-Kelly was first assigned to films with Kay Francis they would dissect her parts. It’s a good picture, and I’m proud of it. Some Like It Hot received widespread acclaim from critics, and is considered among the best films of all time. If they set the film during the Roaring ‘20s and had their guys witness one of the era’s most brutal events, the masquerade becomes a matter, literally, of life and death. What Is a Costume Designer? "I was sure Tony was right for it," explained Wilder, "because he was quite handsome, and when he tells Marilyn that he is one of the Shell Oil family, she has to be able to believe it". [9][10] The memoir was published for the first time in 2015. And it was Lemmon who established the types. Meanwhile, Jerry lists reasons why "Daphne" and Osgood cannot marry, ranging from a smoking habit to infertility. [73] A 1991 stage production of this show in London featured Tommy Steele and retained the film's title. “The day we were shooting that [first] scene [as Junior],” Curtis told me, “we went down on the beach and I said, ‘Billy, how am I going to play this millionaire?’ He said, ‘Well, how would you like to play it?’ I said, “Well, I do this impression of Cary Grant …’ ‘Well do it!’” So he did, and it’s quite good. He understood the sensual curve, that’s for damn sure! [9] Both films follow the story of two musicians in search of work,[8] but Wilder created the gangster subplot that keeps the musicians on the run. The last piece of the characters was their makeup. But Orry Kelly designed for many other major stars as well and his costumes appeared in hundreds of films from the early 1930’s into the 1960’s. [22] Monroe's acting coach Paula Strasberg and Monroe's husband Arthur Miller both tried to influence the production, which Wilder and other crew members found annoying. [2] The elegant clothes he designed for Bergman's character in Casablanca have been described as "pitch perfect". They were ID’ed immediately, so they reset to the first look. Sugar runs from the stage at the end of her performance and jumps aboard Osgood's launch just as it is leaving the dock with Joe, Jerry, and Osgood. Spats and his gang from Chicago recognize Joe and Jerry as the witnesses to the Valentine's Day murders. And Grant apparently liked it, too—even if he feigned the contrary. Some Like It Hot Costume Designer GIF by The Academy Awards. But when Monroe became available, Wilder jumped at working with his The Seven Year Itch star again—even if it came with some baggage. His skill is shown by the fact that while Some Like It Hot was in production, Curtis and Lemmon would go into the ladies' room after eating lunch without being spotted as men. She would be dressed in opposition to the role, with the traditional femme fatale or manipulative character in frills and the honest heroine in a tailored, classic suit. He goes in to measure Marilyn and she comes out in a pair of panties and a silk blouse. I went to Billy, and I told him Jack and I wanted Orry-Kelly dresses, too. As a favor to the production company, Jack Lemmon and Tony Curtis agreed to film cameo appearances, returning as their original characters, Daphne and Josephine, at the beginning of the pilot. Tell me, don’t you think there’s a difference between calling someone a Dragon Lady or a bitch? Alison Castle (Hrsg. Diamond. And she automatically knew where the joke was.” But with the good came the bad. You’ll get no argument from most people, but Wilder was a bit circumspect at the honor. [38], The film opened in the week ended March 24, 1959 in several cities in the United States; the highest grossing of which were in Chicago, where it grossed $45,000 at the United Artists Theatre with Monroe making an appearance, and in Washington D.C. where it grossed $40,000 at the Capitol Theatre. The code had been gradually weakening in its scope since the early 1950s, due to greater social tolerance for previously taboo topics in film, but it was still officially enforced until the mid-1960s.

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