Nicki Minaj) (Sony)", "Beyoncé's 'Flawless' feminist act at the VMAs leads the way for other women", "How to Reclaim the F-Word? "Flawless" was performed live by Beyoncé during the last, European leg of The Mrs. Carter Show World Tour and her co-headlining On the Run Tour with Jay-Z. ***Flawless song from the album BEYONCÉ [Platinum Edition] is released on Nov 2014 .  Entertainment Weekly also included the single on their ranking of the best songs of 2014 at number 2, while Spin at number 36. Although “World Wide Woman” wasn’t an official single, it was an anthem that showcased female empowerment. It was released on the iTunes Store through Beyoncé itself on December 13, 2013. The rendition of the song came towards the end of her set list, following an interlude of "Superpower". ", according to the rapper.  He praised her for "burning onstage" and felt that the "commanding" lines executed during the chorus was the "'I am what I am' for the 2010s. And I listened to it after I finished, and I said, This is hot! Singer and songwriter Ne-Yo assisted Beyoncé with one of her most standout tracks “Irreplaceable.” The song is about feeling empowered after dealing with infidelity, and the singer gave fans lyrics that stick to this day, as she says, “To the left, to the left, everything you own in the box to the left.”. Following this both of the singers began sending each other photos of themselves to create the song's artwork. My man made me feel so God damn fine, I'm flawless! Fans can always count on Beyoncé to release a breakup anthem to fill people with empowerment. Download on: beyonceportugal.weebly.com. One of the singles from “I Am… Sasha Fierce” is the electropop track “Sweet Dreams.” The track was different from the typical Bey sound of R&B and soul, but it’s a dance track that her fans love.  It also contains a sample from the horns of Outkast's song "Spottieottiedopaliscious".  Minaj began writing the verse in New York and Beyoncé visited her in the studio, encouraging her. Beyoncé later revealed to Minaj that she would release the song sometime during her On the Run Tour. She's international and can take people anywhere they want to go. The singer’s self-titled album showed more of her sexual side, and “Partition” was at the forefront of it. At the time when Destiny’s Child announced the group members would focus on solo efforts, Beyoncé came through swinging on her first solo track, “Crazy In Love.” She recruited Jay-Z for a verse, and producer Rich Harrison gifted Beyoncé with a go-go sound that was new for her. HARVEY KEITEL: MS. THIRD WARD, YOUR FIRST QUESTION - WHAT IS YOUR ASPIRATION IN LIFE?BEYONCÉ: OH…MY ASPIRATION IN LIFE…WOULD BE…TO BE HAPPY. And if the song never comes out…OK! She mentions her roots and upbringing, and she addresses career rumors. It transitions to other scenes shot in black-and-white, showing Beyoncé headbanging and moshing with members of a punk subculture, as well as dancing with a team of street dancers in a graffiti covered alley. 's "intense energy" while Sharan Shetty found a "manic", high-energy sound similar to the rapper's diverse influences. "Flawless" (stylized as "***Flawless") is a song recorded by American singer Beyoncé Knowles from her self-titled fifth studio album (2013). , During the concert in Paris, France as part of the On the Run Tour on September 12 and 13, 2014, Minaj joined Beyoncé onstage to perform the remix of "Flawless" live. She was also inspired to do her own version of a popular New Edition music video for the song's visual. Beyoncé and Kendrick Lamar have both used their craft as platforms to highlight messages. I'm not going to sell it. But I feel strong.  Minaj's vocal delivery was compared to her earlier work on "Monster".  It is "a staccato, trap-flavored track" with a dirty groove and a clattering beat. Microsoft may earn an Affiliate Commission if you purchase something through recommended links in this article. OH.  "We had done half the video, and we watched it, and Beyoncé knew that it needed a dance moment that would be iconic, that people could pick up on. Anna Silman of Vulture praised the singer's dancing and her "wild" costumes. This song is sung by Beyonc. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., DWANE M. WEIR II/SEAN MICHAEL ANDERSON MUSIC LLC/WARNER-TAMERLANE PUBLISHING CORP. (BMI), PAPA GEORGE MUSIC (BMI) / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, JUSTIN TIMBERLAKE, BEYONCÉ KNOWLES, AND KEY WANE / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY MIKE DEAN #MWA FOR DEAN’S LIST PRODUCTIONS AND BOOTS / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., ANN MINCIELI AND BART SCHOUDEL AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / BACKGROUND VOCALS BY JUSTIN TIMBERLAKE AND TERIUS “THE-DREAM” NASH / ADDITIONAL SYNTH SOUNDS BY NILES HOLLOWELL-DHAR (THE CATARACS) AND DEREK DIXIE / SPOKEN WORDS RECORDING BY HAJIBA FAHMY / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERING BY JAMES KRAUSSE / ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT, CHRIS TABRON, AND MATT WIGGERS / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC, I’M IN MY PENTHOUSE HALF NAKED I COOKED THIS MEAL FOR YOU NAKEDSO WHERE THE HELL YOU ATTHERE'S JUST ONE SHOT LEFT OF THIS DRINKIN THIS GLASS DON'T MAKE ME BREAK ITWISH THAT YOU WERE MESO YOU COULD FEEL THIS FEELING, I NEVER BROKE ONE PROMISEAND I KNOW THAT I’M NOT HONESTNOW YOU GOT ME YELLINGTHATS BECAUSE I’M JEALOUS, IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MINEOOO I’M JEALOUS IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MINEOOO I’M JEALOUS, SOMETIMES I WANNA WALK IN YOUR SHOESDO THE TYPE OF THINGS THAT I NEVER EVER DOSO I TAKE ONE LOOK IN THE MIRROR AND SAY TO MYSELFBABY GIRL YOU CAN’T SURVIVE LIKE THIS, TAKE IT ONE STEP FURTHER FREAKUM DRESS OUT OF MY CLOSETYONCE FILLING OUT THIS SKIRTI LOOK DAMN GOOD I AINT LOST ITAND I AINT MISSED A BEAT BOY YOU BEEN HANGING OUT AT NIGHT I’M STAYIN OUT UNTIL TOMORROWDANCIN ON THEM TABLESAINT GOT NO CARES NO SARROWS, I RAN INTO MY EX SAY WHAT’S UP TO HIS BESTESTNOW WE REMINISCING HOW WE USED TO FLEX IN TEXASDON'T BE JEALOUS, IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MINEOOO I’M JEALOUS IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MINE, SOMETIMES I WANNA WALK IN YOUR SHOESDO THE TYPE OF THINGS THAT I’LL NEVER EVER DOI TAKE ONE LOOK IN THE MIRROR AND SAY TO MYSELFBABY GIRL YOU CAN’T SURVIVE LIKE THIS, NO, AND I HATE YOU FOR YOUR LIES AND YOUR COVERSAND I HATE US FOR MAKING GOOD LOVE TO EACH OTHERAND I LOVE MAKING YOU JEALOUS BUT DON’T JUDGE MEAND I KNOW THAT I’M BEING HATEFULBUT THAT AINT NOTHINGTHAT AINT’ NOTHINGI’M JUST JEALOUSI’M JUST HUMANDON’T JUDGE ME, IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MINEOOO I’M JEALOUS IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MIN, WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, BOOTS, LYRICA ANDERSON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), REACH MUSIC PUBLISHING INC. (ASCAP) / PRODUCED BY NOEL “DETAIL” FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS, HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87, HAZEBANGA MUSIC FOR HITS SINCE 87, AND ANDRE PROCTOR / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI, ASSISTED BY CARLOS PEREZDEANDA / BACKGROUND VOCALS BY BOOTS / INSTRUMENTS PLAYED BY BOOTS / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY STUART WHITE, JAMES KRAUSSE AND JUSTIN HERGETT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC, LET ME SIT THIS BACK ON YOU…SHOW YOU HOW I FEEL…LET ME TAKE THIS OFF…WILL YOU WATCH ME?..THAT’S MASS APPEAL…DON'T TAKE YOUR EYES… DON'T TAKE YOUR EYES OFF ITWATCH IT.. It is a trap-influenced song, with a dirty groove and a clattering beat. 2014-03-23T23:12:24Z. The Judges give champion Skeleton Crew 4 Stars, And the challenger Girls TYME receives, 3 stars, Requested tracks are not available in your region, Terius Nash,Beyoncé Knowles,Chauncey Hollis,Rashad "Hazebanga" Muhammad,Rey Reel Music. Nicki Minaj) Lyrics Credits (03:54) Buy Drunk in Love Remix (feat. Beyoncé has always emphasized how important women are to society.  A writer of Rap-Up magazine felt that Minaj delivered one of "her best verses yet".  The release "shocked fans and fellow singers alike", as the song caused some controversy over its lyrical content.
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