This midcut setting has its own specific settings in the top left, which allow you to control how much of the mid is reduced, and the master volume when the setting is on. Finally, this is the only pedal on this list that boasts two different battery options. Most pedals will give you the option to alter the tone of the distortion, which is very similar to altering the tone directly on your guitar. For example, playing Pantera’s brutal “Mouth for War” with the distortion used on Black Sabbath’s brooding classic “Iron Man” wouldn’t sound quite right, and the opposite is also true. Based on the world-famous high-gain, metal-friendly tone of the Diezel VH4 amp’s third channel, the VH4 Pedal takes no prisoners. The pedal is designed to give the tonal feeling of a tube amp, and has been lauded for its impressive amp-like sound. Many guitarists run their distortion pedals at the beginning of the chain, though it’s not unheard for some to run theirs at the end or even in the effects loop. If there’s one word that epitomises what hard rock and heavy metal players brought to electric guitar, it’s power. We check over 130 million products every day for the best prices. They describe it as a “skull-pounding metal distortion” with “insane gain”, which pretty much sums up the sort of thing they’re going for: this pedal is perfectly situated to play some incredibly heavy stuff. Win! Remember, as the Metal Zone proves, the old adage “one man’s meat is another man’s poison” definitely rings true here! I would love to say that the various controls allow you to customize and sculpt your tone to your liking, but that’s not exactly the case. Sabbra Cadabra will take you there. Each distortion pedal has its own unique appeal – some guitarists might want a more transparent gain boost that reinforces the characteristics of their amp, others might want the exact opposite – kicking in various distortions to sound like a completely different rig altogether. Beyond that, you get the ‘level’ command to determine the balance between wet and dry signals, and the ‘dist’ knob, which is just there to decide how overdriven you want your signal. Read the full review: Mesa/Boogie Throttle Box EQ, Launch price: $250 | Controls: Level, gain, high, low, presence, mids, diode switch | Sockets: Input, output, power | Bypass: True bypass | Power requirements: 9V power supply. Control-wise, it’s similar to a fully fledged preamp, and there’s an internal gain trim pot, too. This makes it easy to use, at least, while a lower price tag than you might expect draws you in. A staggeringly versatile compact drive pedal, Launch price: $199/£199/€199 | Controls: Volume, mid contour, tone, gain, modern/vintage switch, boost/gain switch | Sockets: Input, output, power | Bypass: True bypass | Power requirements: 9-18V power supply, 9V battery. As Hammett and Karon explain, this pedal has shredded, palm-muted solos and soaring high lead notes in mind. The process of buying a distortion pedal is rather simple, especially when you know the exact tone you’re looking for. Looking for a metal pedal with a sharp, filthy, ugly tone? To help you in your quest, we’ve tapped into the learned input of The best advice I can give, is to take a look at this list of pedals and, based on how extreme, and how light/dark the tone provided is, decide whether or not it will fit the style or tone you’re aiming for. This pedal plays well with both clean and dirty amps and direct clean sounds, too. But while you won't find transparent break-up tones on the lo mode, its harmonically rich overdrive cleans up beautifully with the guitar's volume knob. This ranges from the crushing heaviness of death and black metal, to the complexity of prog metal, the pop-intersection of metalcore and the classic heavy metal of bands like Iron Maiden and Metallica. Based in Oklahoma and founded in 2011, Walrus Audio are another brand whose pedals have really made an impact in a relatively short space of time. When it comes to creating great-sounding gain, from classic rock to modern metal, the Mesa amp folk are renowned masters. Don't miss the latest deals, news, reviews, features and tutorials. Thanks to its FET-based circuitry and an accurately named Push control, the PG-14 can deliver the touch, feel, and response of a cranked-to-the-point-of-self-destruction tube amplifier at neighbor-friendly volumes. The resulting 5150 Overdrive pedal emulates the high-gain eloquence of the EVH 5150 III amp’s blue channel with remarkable accuracy and tonal flexibility. In this important guide, I’ll talk you through the 10 best distortion pedals on the market, that will help you create that heavy, metallic tone. Due Shooting out standard mode on the Waza version with our original MT-2, we found the newer pedal a bit thinner with the same settings; it requires tweaking to get the ‘bark’ we’re used to, and it’s quieter than the original, too. Whether it’s that biting, round tone from Metallica’s “Seek and Destroy”, or that gritty, warm tone from Avenged Sevenfold’s “Nightmare”, I think an identifiable metal tone is much easier to achieve using a pedal than with other means. pedals as equal, brutal brethren of distortion stompboxes in this piece. The Hi/Lo switch allows users to go between rhythm and lead tones with ease, with additional high-end and sustain for those solos. Sure, any distortion is better than none, but when it’s the right one for a particular riff — that’s when metal magic really happens. Add to this a Series/Blend (read: parallel) switch, a Blend control, a Level control, and a Bass Boost switch, and you’ve got a lot of control over your doubled dirt — from subtle grit to an intimidating, modern-metal punch. How Will Shipping Cutoffs Impact Your Holidays? Though admittedly it’s not much to look compared to some of the other options in our list, this Amptweaker pedal is capable of some truly classic tones, but also outperforms most others on the sheer quality of its contemporary heaviness. To learn more about our cookie policy, please check our Privacy Policy. You’d be hard pushed to find a metal band that doesn’t have a guitarist, and you’d be even harder pushed to find a guitarist in a metal band who doesn’t use distortion. It all depends on the type of dirt you’re Then the MXR M116 Fullbore Metal Distortion pedal is for you. Due to the vast array of choices out there at the moment, the search for the right one can often seem confusing and even intimidating. It gives you a great deal of tonal flexibility, thanks to it having controls for Bass, Body, Treble, and Presence, plus switches for Boost, Bright, and Crunch. It’s our top pick for the best distortion pedal because it’s a winner for sheer musicality, with dazzling touch dynamics that compliment your playing. A Price Point That Doesn’t Break The Bank. With a powerful EQ section and a wide sweep on the gain control, it’s easy to dial in punchy sounds that cut through a band mix. With that heritage, you might be forgiven for having high expectations - and Amptweaker delivers. Channel A offers a slightly milder distortion than B so you can use a touch of A with brightened tone to add clarity and pick attack to the saturated sound of B or have a mixture of both reminiscent of playing through two amps. The Left Hand Wrath can sound incredibly close to the original 'MIJ' HM-2, but with less noise, and even distorts in the same disgusting way when fed overly hot signals. Happy customers, one piece of gear at a time! The next important factor is the general shape of the distortion: are you after something more vintage-voiced, like the Bogner and Friedman options in our best distortion pedals guide, or a bit more modern, like the Mesa/Boogie Throttle Box and Kirk Hammett’s signature Dark Blood? The Vintage footswitch toggles bypass, while the Modern switch enables the new presence dial for treble focus. The more intensity you add, the more of that sharp, bright, full modern tone you’ll hear. By Not only will this help you avoid embarrassing mistakes at gigs or in the studio, it will also give you an easy way to troubleshoot and problem-solve on the fly. It’s kinda like Wampler’s classic Triple Wreck pedal but with a more modern voice. British-born, Nick Bowcott was the founder, leader and riff writer for the mid '80s NWOBHM cult band, Grim Reaper...but please don't hold that against him. James Brown, the man behind Amptweaker pedals, is perhaps best known for being a design engineer for Peavey and Kustom amps, having worked closely with Eddie Van Halen on the original 5150s. Yep, that’s a shocking number of pedals to sift through. The Rocktron might just be what you’ve been looking for. Rather than the brutality of death metal, Dark Matter is centred on a classic, vintage sound. The ‘Variac’ setting gives you a sound that could be compared to a tube amp. You will receive a verification email shortly. Fans of alternative, grunge or other lo-fi styles generally prefer the grittiness of fuzzy distortion, while more metallic players tend to opt for less crackle and a more pronounced attack. No, it may not be for everyone, but it’s hard to argue with the price tag. Who am I to argue with you? Phone Hours | So, yes, I would say there is a bit of a difference between a distortion pedal and a metal distortion pedal. In fact, the brand itself is the brainchild of Hammett himself, and David Karon. It boasts the kind of feel and response you’d expect from a valve amp. You’ve got a gain setting that allows you to crank the distortion up without moving into the realms of unintelligible, mushy sounds, while the bass and treble settings give you much more control over your sound than the Eyemaster. It isn’t the most impressive gate in the world, and with a distortion as intense as this, you might want to look at balancing it with a second gate. I mean, Sweetwater currently offers in excess of 400 distortion, overdrive, fuzz, and boost pedals! Page 1 of 3 1 2 3 Next > ExousRulez Banned. “It does exactly what it says on the tin” is a common English phrase for a product with a name that accurately describes what it does. Receive mail from us on behalf of our trusted partners or sponsors? But assuming a pedal is what you need, you should test out a bunch to get a feel for what you like. There was a problem. To many, the Boss DS-1X is the definitive distortion pedal. The Fullbore is a distortion pedal done to near-perfection. After all, your tone is going to sound different in different rooms, so the ability to adjust based on the situation becomes more important, especially as a performing musician. You’re going to be drowned out by the drums and bass. Both the G3 and A bit fuzzy for tighter distortion sounds, Among the best high-gain sounds you'll get from a pedal. It sounds like a Metal Muff no matter how much you sit there tweaking. If you’re looking for modern metal tones, the Revv G3 and G4 pedals deliver them in spades.

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